Anyone who isn't dead or from another plane of existence
would do well to cover their ears right about now.
— Metatron, Dogma (1999)
Title card from Supernatural Season 9 Episode 18, “Meta Fiction.”
Metatron, the Chancellor of Heaven, is a mystical archangel who serves as the Voice of God. Metatron is both the largest and loftiest of the angels and the closest to God, being of even higher rank than Michael in ancient Judaic lore. Metatron is the Heavenly scribe, both recording the word of the Lord and transmitting it to anyone to whom God has directly spoken. As Heaven’s recording secretary, Metatron is said to be the only being ever to have been seen seated in the presence of the Almighty, and his name says as much, it being frequently translated as “He who sits behind the throne of Heaven.” Continue reading
If you think that bunnies can’t be monsters, you haven’t been paying close enough attention. Below are some film and TV sources of a few of the scariest hares we’ve heard of.
Buffy the Vampire Slayer: If a centuries-old vengeance demon like Anya (Emma Caulfield) is deathly afraid of rabbits, perhaps there’s something to learn there. Anya wears a bunny costume for Halloween in Season 4 because she’s told that the idea is to dress as “something scary.” Buffy lore has retconned Anya’s leporiphobia into having some relation to the fact that she seems to have bred and raised rabbits back in the Middle Ages when she was human (see S07E05, “Selfless”), but we don’t think she needs a reason. Continue reading
A Spring-heeled Jack penny dreadful cover
Spring-heeled Jack, “the Terror of London,” is a well-known monstrous villain of Victorian urban legend. Though generally human in appearance, Spring-heeled Jack is said to have demonic characteristics such as bulbous glowing eyes, long, sharp claws of metal, and sometimes even horns. He was often seen in England and Scotland in a bat-like, black winged cloak and a tight suit of black and white oilskin, not unlike a twentieth-century comic book character’s costume. Reports of Spring-heeled Jack speaking, or indeed making any sound, are rare, and it is possible he is mute, though there have been reports of victims hearing fiendish laughter. Another unnatural characteristic commonly attributed to Jack is his ability to spit blue flame. Spring-heeled Jack’s most famous attribute, though, is his ability to escape capture by leaping over tall gates and walls.
The Wild Chase (1889) by Franz Von Stuck
Tales of the spectral horde known as the Wild Hunt abound throughout Europe. Since pre-Christian times, the Wild Huntsman and his horde of hunters and hellhounds have hurtled through the night sky. Those who find themselves alone on a winter night may hear the sounds of a horn, the distant wail of the hounds, and the pounding of hooves as the Wild Huntsman and his supernatural companions approach. Continue reading
White Lady: The ghost of Teresa Fidalgo in the Portugese short film A Curva (2004)
The Woman in White is a ghostly apparition who most commonly haunts roadways and thoroughfares, seeking the attention of travelers. She is a tortured spirit who has often in life been betrayed by a lover, has lost her children, or both.
Dames Blanche in France, White Ladies in the Philippines, Mulheres de Branco in Brazil, Weisse Frauen in Germany, and Witte Wieven in the Netherlands are all varieties of Women in White, as is Mexico’s La Llorona (the Weeping Woman). Continue reading
The Vodyanoi on an early 20th-century Russian postcard.
The Vodyanoi (водяно́й in Russian) is a water-dwelling demonic creature of Eastern Europe. His appearance can be described as somewhere between that of an elderly man and a toad, with a greenish beard and dripping with muck and weeds. He is a curmudgeonly old spirit whose time outside of his lavish underwater home is often divided between murder and mayhem. Continue reading
“La Belle Dame Sans Merci,” Henry Meynell Rheam, 1901
The Banshee is an ominous spirit of the Irish fairy realms whose presence foretells the loss of a life. This “woman fairy” (from bean, a woman, and sidhe, a fairy), announces an imminent death with her mournful and terrifying keening. When she can be seen and not just heard, the Banshee usually appears as a beautiful woman, often clutching a hairbrush. In Scotland she is bean nighe (the Washerwoman, whose spectral form can be seen washing the bloody clothes of the soon-to-die), while in Wales she is Gwrach-y-rhibyn (Hag of the Mist).
The Banshee is sometimes seen along with a cóiste-bodhar (coach-a-bower), pulled by headless horses and driven by her fellow Celtic death omen, the Dullahan. Although like the Dullahan (and the Cluricaun), the Banshee is usually classified in lore as a solitary fairy, it has been suggested that she may in fact be a sociable fairy who has only become solitary due to her constant sadness—unlike most solitary fairies, she is generally not malevolent, but only foreboding and frightening. Continue reading
Hellhounds are great infernal dogs that hunt the damned, guard the underworld and defend their demonic masters. There are tales of hellhounds in ancient Greek and Viking writings, and legends and even stories of sightings can now be found throughout the world. Hellhounds are often described as oversized black dogs with sharp teeth and glowing red eyes. Hellhounds transcend supernatural categories, alternately considered apparitions (the Black Dogs of Britain), creatures of Faerie (the hellhounds of the Wild Hunt) or demons (the Cajedo Negro of South America). Continue reading
The supernatural creature known as the ifrit* (عفريت) arises out of the rich tapestry of Middle Eastern lore and history. An ifrit is a type of infernal Jinn. The Ifrit is able to generate fire, and withstand smoke and flames.
Traditionally an Ifrit had wings, but more recent incarnations are known for their horns and claws. The Ifrit is known to be formidable and cunning, making it a dangerous enemy.
Marzita the Pishtaco feeding on a client in “The Purge”
The Pishtaco is a South American anthropophage who hunts people in order to eat or steal their body fat. Tales of the Pishtaco began in the Andes during the Spanish conquest of Peru in the 16th century, perhaps when conquistadores were seen to make use of human body fat for unusual purposes, such as dressing battle wounds. This, in combination with the important place of body fat in Andean culture as representative of strength and vitality (the pre-Incan creator deity Viracocha is closely associated with body fat), contributed to the idea of the Pishtaco. Continue reading