In “Gods and Monsters,” Supernatural begins a slow reveal of the mayhem Michael (Jensen Ackles) intends to introduce with his experimental creations. While Michael attempts to bring his ghastly vision into being, Nick (Mark Pellegrino) and Jack (Alexander Calvert) explore unacknowledged aspects of who they are. Writers Brad Buckner and Eugenie Ross-Leming construct the form for the Season 14 story arc, while director Richard Speight, Jr. brings “Gods and Monsters” to life.
“The Thing” reminds us that monsters come in all forms on Supernatural. Director John Showalter and writer Davy Perez create a Lovecraftian horror story replete with hooded figures, a deceptive threat, and an interdimensional rift. Oh, and did we mention, there’s tentacles? Supernatural’s “The Thing” takes a side trip into Men of Letters history, while former British Man of Letters Ketch takes one for the team. Continue reading
In the Season 13 Supernatural episode “A Most Holy Man,” the Winchesters get involved in the trade of illegal religious artifacts and organized crime. Sam and Dean remain focused on opening a portal to the Apocalypse Universe to rescue their mother and Jack. “A Most Holy Man” was written by showrunners Andrew Dabb and Robert Singer, who pay homage to ’40s noir movies. The episode was directed by Amanda Tapping, who, as well as having played the angel administrator Naomi in Season 8, has become a regular director for the Supernatural series. Supernatural creates something fun and different in “A Most Holy Man” by referencing Hollywood crime dramas of the past. Continue reading
Season 13 of Supernatural has introduced interesting new characters while reviving some of our favorites. “Good Intentions” continues this fan service with the return of a beloved character, while focusing on the danger posed by the alternative universe Michael (Christian Keyes). Writer Meredith Glynn (“Regarding Dean,” “The Scorpion and the Frog”) and Director P.J. Pesce (“Family Feud“, “There’s Something About Mary“) touch on the gray in the black-and-white world of villains and heroes. Continue reading
In “Advanced Thanatology,” Supernatural gives us the heebie-jeebies with a tale of torture, death, and the dangers of adolescent peer pressure. It’s more than a monster hunt, with a couple of reunions to spice up the drama of Season 13. “Advanced Thanatology” reinforces what we all already knew in our hearts—the Winchesters are important to life, the multiverse, and everything. Continue reading
“The Future” of Supernatural may not be quite what we expected. Misha Collins returns to Supernatural, giving us a wonderful performance as Castiel experiencing a crisis of conscience. “The Future” was written by Robert Berens and Meredith Glynn. Amanda Tapping (Stargate SG-1, Sanctuary) makes a return to Supernatural, not in her previous role as the angel Naomi, but as a director. “The Future” reminds us that in Supernatural, good and evil are not always absolutes. Continue reading
Episode 18 of Supernatural, “The Memory Remains,” presents monsters both human and divine. It was helmed by long-time Supernatural director Phil Sgricca and written by John Bring who previously co-wrote “Beyond the Mat.” Some elements in “The Memory Remains” were terrific, including the cinematography, a layered Monster of the Week story, and some well-written dialogue. The integration of the British Men of Letters narrative into the episode, though perhaps necessary to the overall season story arc, didn’t work as well. “The Memory Remains” had some interesting elements, yet lacked the cohesion needed to make it a standout episode of Supernatural. Continue reading